Behind the Scenes

Legato (Italy 2010) is now all in boxes, packed ready to return to New Zealand. Some work is already safely back in New Zealand, so my sincere thanks go to the artists who took work back with them, some also taking work for others. Some is in the post, some has been posted and bounced back to me from customs, and other works are waiting until the intricacies of exporting artworks can be negotiated - that is, until I can get it all signed off in Rome.

Some generous artists have decided to donate their works to public spaces in Italy, and as soon as the madness of olive picking is over I will place these works. It's not only my own olives causing hold-ups, but the whole region slows down as people return to the countryside to make wine or pick olives. Frustrating perhaps for outsiders, but it is part of the charm that is Italy. You can cross hundreds of years in a day, if you happen to pass a woman carrying her supplies on her head, or an old man leading a mule laden with firewood up cobblestone paths, then look in on an oil press where the latest of technology is gleaming next to cane baskets of olives. I need to talk to the vice-mayor about placing some of the works, but he happens to own the local olive press... pian-piano, as they say here, or (in NZ) "good things take time".

Next week I should be back at my own computer, and luckily my data was salvaged and survived the reformatting of the hard drive. Then I will be able to access more readily the photographs and data I need for this blog.

In the meantime, above are more photos of Janice Corbishley's work which went "on location" to the restaurant at La Locanda del Castello for an evening a few weeks ago, before it was safely delivered home to New Zealand by a travelling artist.